The inaugural NSW Access and Inclusion Awards were announced recently. The winner of the non-residential category was the Australian National Maritime Museum. It shows the interpretive displays which are interactive. Tactile solutions, a hearing loop and captioning are used throughout along with multi-language subtitling. The wharf is now accessible as well. The architect was Francis-Jones Morehen and Thorp, the Access Consultant was Mark Relf, Accessibility Solutions, and the Builder was Stephen Edwards Constructions.
Wet n Wild Sydney is the recipient of an accessible outdoor public domain award for 2017. The newly established awards were jointly organised by the Association of Consultants in Access Australia and the NSW Department of Family and Community Services. The two other categories were residential and non-residential. Architects were the Buchan Group, and the access consultants were Howard Moutrie and Farah Madon. The builder was Lipman. The video below shows how well people are included in the water play activities and the other attractions in the park. All are having fun. An excellent example of inclusion.
You can access another water park example, Morgan Inspiration Island
A nice article about access to the displays and contents of art galleries and museums for people who are blind or have low vision. Audio description is one way of providing access, tactile representations are another. The Beyond Disability webpage article shows how art is becoming more accessible for blind and low-vision communities around the world.
3D printing has changed many things and 3D representations of prints are now possible. Braille can also be introduced into visual art. See the article to find out the interesting and creative ways that art and other exhibits can be made accessible. Indeed, these methods are an art form in their own right.
People who identify as transgender are often concerned about their safety in public recreation situations. Dreaming About Access: The Experiences of Transgender Individuals in Public Recreation is a report of the qualitative research undertaken by Linda Oakleaf and Laurel P. Richmond. Designing universally for inclusion of people who identify as transgender is not just about participation, it also affirms their worth and dignity. At the end of the executive summary they say,
“Practitioners who wish to translate data from this study into policy should focus on two areas: removing barriers to access, and affirmatively encouraging participation. The barriers discussed most often by participants related to public/private spaces such as bathrooms, locker rooms, and showers. Practitioners should ensure that all locker rooms, bathrooms, and showers allow for privacy. As is frequently the case with niversal design, this will benefit many users who are not transgender. While the best practice would be to provide gender neutral spaces, at a minimum there should be at least one stall with a door in each bathroom and curtains or other barriers in all showers. Policies and procedures should affirmatively include participants across the gender spectrum and should be aimed at increasing participation.”
Natural landscapes generally receive less attention than landscape architecture. So it is good to see that three Hungarian researchers have taken a serious look at the issues. Their study took the perspective of tourism and looked at tourist habits, and list some of the factors that need to be specifically considered for accessible waterfront landscapes, including beaches. The list of factors covers mobility, vision, and hearing. Parking and approach, jetties, pontoons, bathing, and fishing are all discussed. Several photographs show good examples of accessibility.
The authors conclude that waterfront landscapes are popular tourist destinations for everyone. As these are sensitive ecosystems, minimal interventions should be applied when providing access. Small adaptations and just careful design can ensure good access for everyone. “If inclusive design and nature conservation principles are taken into consideration from the very beginning of the whole design process, access to waterfront landscapes can be spreaded [sic], and the natural values of the landscape remain existing and provide the experience of nature for the human race.
The title of the article is “Access to Waterfront Landscapes for Tourists Living with Disabilities“ by Gabriella Szaszák , Albert Fekete and Tibor Kecskés
The Sydney Opera House is keen to be inclusive with their performances, and activities. Accessibility Program Manager, Jenny Spinak, has spearheaded much of the progress in creating an inclusive program. The Accessibility page of their website has more than just information on how to access the building and parking. With the upcoming winter lights festival, Vivid Sydney, the Opera House is staging several accessible performances with audio description and Auslan interpreters.
Previously the Sydney Opera House included an autism-friendly performance of the musical The King and I. You can see more in the video link below.
What should play spaces look like for all ages? Inspired by a 10-year old resident from Lilydale, Melbourne, Yarra Ranges Council committed a $1.4million upgrade to the Lilydale Lake playground in 2014.
The recently completed project was developed in consultation with local primary school children. The Council found that the two main priorities for the children were:
- Emphasis on nature over plastic materials; and
- Play areas for all ages.
“They actually wanted a space where their parents will play with them,” Ms Robyn Mansfield, the Council’s manager of built and active spaces. “Where their older siblings will want to play with them, where their grandparents will want to play with them.”