Colour Kindness

A group of people standing holding a pink banner with the words You are Not Alone, but you can't see the word NOT because it is in pale red and blends into the background colourIt’s one thing to talk about colour blindness, but it is quite another to see what it looks like to the 6-10 percent of the population that have colour vision deficiency. Axess Lab has produced an excellent set of successes and failures using real life examples of colours used by web designers. These examples provide really good guidance for anyone involved in web content and design, as well as printed material. The blog page has links to more information. There is a nice pic of what a football field looks like to someone who can’t see red and green – so it’s not all about the web – it’s all around us as the picture shows. If you want to see more on this topic see ColourBlindAwareness Twitter feed. 

The banner in the picture shown should read You Are Not Alone, instead it looks like, You Are Alone.

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How many steps at the Sydney Opera House?

A page from the theatre access guide showing the steps to and from the Joan Sutherland TheatreThe Sydney Opera House has produced a guide to the number of steps in various paths of travel throughout the venue. This is to help patrons decide which seats are best to book for the greatest convenience, and to help with traversing such a large building, particularly if you are not familiar with it. Of course there are lifts and escalators in some places, and more will be added during the current major refurbishments. The Theatre Access Guide can be downloaded from the Sydney Opera House website. The picture shows one page from the Guide.

Editor’s note: It would be interesting to know how many other venues in Australia have this type of guide – not just a standard access guide, which is usually for wheelchair users, people who are blind or have low vision, or are deaf or hard of hearing. Knowing how far you have to walk is important for non wheelchair users and people accompanying wheelchair users.

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Access Award Winners

Facade of the National Maritime MuseumThe inaugural NSW Access and Inclusion Awards were announced recently. The winner of the non-residential category was the Australian National Maritime Museum.  It shows the interpretive displays which are interactive. Tactile solutions, a hearing loop and captioning are used throughout along with multi-language subtitling. The wharf is now accessible as well. The architect was Francis-Jones Morehen and Thorp, the Access Consultant was Mark Relf, Accessibility Solutions, and the Builder was Stephen Edwards Constructions.

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Wet n Wild Sydney wins award

Red and yellow striped tubes twisted with blue and yellow tubes with a big water slideWet n Wild Sydney is the recipient of an accessible outdoor public domain award for 2017. The newly established awards were jointly organised by the Association of Consultants in Access Australia and the NSW Department of Family and Community Services. The two other categories were residential and non-residential. Architects were the Buchan Group, and the access consultants were Howard Moutrie and Farah Madon. The builder was Lipman. The video below shows how well people are included in the water play activities and the other attractions in the park. All are having fun. An excellent example of inclusion.

You can access another water park example, Morgan Inspiration Island

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Visual artforms for everyone

Two pars of hands touch a head and shoulders statueA nice article about access to the displays and contents of art galleries and museums for people who are blind or have low vision. Audio description is one way of providing access, tactile representations are another. The Beyond Disability webpage article shows how art is becoming more accessible for blind and low-vision communities around the world.

3D printing has changed many things and 3D representations of prints are now possible. Braille can also be introduced into visual art. See the article to find out the interesting and creative ways that art and other exhibits can be made accessible. Indeed, these methods are an art form in their own right.

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Transgender, recreation and inclusion

10 balloons of different colours float on the surface of a swimming poolPeople who identify as transgender are often concerned about their safety in public recreation situations. Dreaming About Access: The Experiences of Transgender Individuals in Public Recreation is a report of the qualitative research undertaken by Linda Oakleaf and Laurel P. Richmond. Designing universally for inclusion of people who identify as transgender is not just about participation, it also affirms their worth and dignity. At the end of the executive summary they say,

“Practitioners who wish to translate data from this study into policy should focus on two areas: removing barriers to access, and affirmatively encouraging participation. The barriers discussed most often by participants related to public/private spaces such as bathrooms, locker rooms, and showers. Practitioners should ensure that all locker rooms, bathrooms, and showers allow for privacy. As is frequently the case with  niversal design, this will benefit many users who are not transgender. While the best practice would be to provide gender neutral spaces, at a minimum there should be at least one stall with a door in each bathroom and curtains or other barriers in all showers. Policies and procedures should affirmatively include participants across the gender spectrum and should be aimed at increasing participation.”

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Access to natural waterfront landscapes

Timber planked pier leading to the oceanNatural landscapes generally receive less attention than landscape architecture. So it is good to see that three Hungarian researchers have taken a serious look at the issues. Their study took the perspective of tourism and looked at tourist habits, and list some of the factors that need to be specifically considered for accessible waterfront landscapes, including beaches. The list of factors covers mobility, vision, and hearing. Parking and approach, jetties, pontoons, bathing, and fishing are all discussed. Several photographs show good examples of accessibility.

The authors conclude that waterfront landscapes are popular tourist destinations for everyone. As these are sensitive ecosystems, minimal interventions should be applied when providing access. Small adaptations and just careful design can ensure good access for everyone. “If inclusive design and nature conservation principles are taken into consideration from the very beginning of the whole design process, access to waterfront landscapes can be spreaded [sic], and the natural values of the landscape remain existing and provide the experience of nature for the human race.

The title of the article is “Access to Waterfront Landscapes for Tourists Living with Disabilities by Gabriella Szaszák , Albert Fekete and Tibor Kecskés

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