Older people, ageism and digital design

Do stereotypes of older people affect how digital technology is designed? A team of researchers found that ageism has the potential to influence design in negative ways. However, co-design partnerships not only overcame the affect of ageism, it was also likely to produce technologies that are needed, wanted and used.

Ageism can have a detrimental role in how digital technologies are designed. Participating with older people in the design process has the additional benefit of countering stereotypes.

Image shows a group of older people on a desert camping expedition.

Photograph on a sand dune of 18 passengers and 4 drivers

Older people said the “ultimate partnership” in co-designing is to be involved from the beginning through to the end of the design process. Sharing control over design decisions was an important part of the process. They are more than informants – they are equals who have valuable contributions.

The researchers noted that although this vision of co-design is shared by designers, it is not always the case in practice.

Image shows older people working together on a workshop question.

Older people sit at round tables discussing questions. There are four round tables shown in this picture.

Older people in the study also said that ageism emerges in implicit and explicit language about ageing. And ageist images can influence the design process. Consequently, the researchers say it is important to view the diversity of older people.

It’s about co-design

How and when to involve older people in digital design is also important. Understanding co-design with older people has the potential for avoiding insufficient prototyping, biases and errors in the design process.

The title of the article is, An “ultimate partnership”: Older persons’ perspectives on age-stereotypes and intergenerational interaction in co-designing digital technologies.

From the abstract

There is a gap between the ideal of involving older persons throughout the design process of digital technology, and actual practice.

Twenty-one older people participated in three focus groups. Results showed ageism was experienced by participants in their daily lives and interactions with the designers during the design process. Negative images of ageing were pointed out as a potential influencing factor on design decisions. Nevertheless, positive experiences of inclusive design pointed out the importance of “partnership” in the design process.

Participants defined the “ultimate partnership” in co-designing as processes in which they were involved from the beginning, iteratively, in a participatory approach. Such processes were perceived as leading to successful design outcomes, which they would like to use, and reduced intergenerational tension.

Computing students show age and gender bias

As we know, bias sits in all of us whether we realise it or not. Some biases we are aware of, such as liking certain people and things. But what about those biases we are not aware of that sit silently in the background of our thoughts and ideas? And how much do they impact on the things we say and do? Age and gender bias has an impact on how things are designed.

Older people are thought less likely to use desktops, laptops and smartphones, and to have less expertise with them. Women, both young and old, are thought to have some experience with devices, but less expertise than men.

A young woman wearing a black beanie sits in front her her laptop. Behind her are icons of cog wheels indicating technology. Age and gender bias in computer science.

A group of researchers in Austria wanted to find out the perceptions of computing science students about age and gender. That’s because they are going to be designing the digital technology in the future. In a nutshell, they found several biases.

Age and gender bias

Students (aged around 21 years) started to see people as old at the average age of 57 years – several years younger than their grandparents. Older people are thought to be less likely to have experience with all types of devices. While younger people are thought to want aesthetic designs, older people are thought to need error tolerant systems.

The bias between the genders was smaller than that of age. Women were seen as less likely to use a desktop than men and to have less expertise than men overall. This fits the continuing stereotype that computing for men is ordinary, and exceptional for women. Consequently, older women were seen as less capable in using computers and laptops.

The article has a lot of statistical analysis, but the key points are in the findings, discussion and conclusions. The information is useful for teachers, and the authors recommend designing with users as a way to overcome bias. And, of course, more women should be encouraged into the computing sciences.

The title of the study is, How Age and Gender Affect the Opinions of Computing Students Regarding Computer Usage and Design Needs.

From the abstract

This study aimed to understand the perceptions of young computing science students about women and older people about computer literacy and how this may affect the design of computer-based systems. Based on photos, participants were asked how likely the person would be to use desktop computers, laptops and smartphones. And also, how much expertise they thought they would have with each technology. We asked what design aspects would be important and whether they thought an adapted technology would be required.

The results draw on 200 questionnaires from students in the first year of their Information and Communications Technology (ICT) studies at an Austrian university of applied sciences. Quantitative methods were used to determine if perceptions varied significantly based on the age and gender of the people depicted.

Qualitative analysis was used to evaluate the design aspects mentioned. The results show that there are biases against both older people and women with respect to their perceived expertise with computers. This is also reflected in the design aspects thought to be important for the different cohorts. This is crucial as future systems will be designed by the participants. Their biases may influence whether future systems meet the needs and wishes of all groups or increase the digital divide.

Gender and Mobile Apps

An academic paper, A Study of Gender Discussions in Mobile Apps, provides some insights into gender bias in app development.

From the abstract

Mobile software apps are one of the digital technologies that our modern life heavily depends on. A key issue in the development of apps is how to design gender-inclusive apps. Apps that do not consider gender inclusion, diversity, and equality in their design can create barriers for their diverse users.

There have been some efforts to develop gender-inclusive apps, but a lack of understanding of user perspectives on gender may prevent app developers and owners from identifying issues related to gender and proposing solutions for improvement.

Users express many different opinions about apps in their reviews, from sharing their experiences, and reporting bugs, to requesting new features. In this study, we aim at unpacking gender discussions about apps from the user perspective by analysing app reviews.

We first develop and evaluate several Machine Learning (ML) and Deep Learning (DL) classifiers that automatically detect gender reviews. We apply our ML and DL classifiers on a manually constructed dataset of 1,440 app reviews from the Google App Store, composing 620 gender reviews and 820 non-gender reviews.

Our best classifier achieves an F1-score of 90.77%. Second, our qualitative analysis of a randomly selected 388 out of 620 gender reviews shows that gender discussions in app reviews revolve around six topics: App Features, Appearance, Content, Company Policy and Censorship, Advertisement, and Community. Finally, we provide some practical implications and recommendations for developing gender-inclusive apps.

Good colour contrast for websites

How did you choose the colours for your last website update? Did you choose colours based on your brand logo and text or did you use the Web Content Accessibility Guidelines (WCAG) algorithm? But can the WCAG algorithm guarantee good legible colour contrasts for websites? Research by The University of Cambridge says it doesn’t. So they have developed an alternative algorithm for good colour contrast for websites. 

Five different coloured ovals with both black and white text for comparison. Human perception is better for good colour contrast for websites.
Examples of black and white text for comparison

Since January 2022, the Accessible Perceptual Contrast Algorithm proposes that legibility of text on websites is better with perceived difference than a mathematical contrast ratio. White text on strong coloured backgrounds are preferred over black text in almost all cases in the study. 

In the examples above, the black text passes the WCAG contrast ratio but fails the white text. The Accessible Perceptual Contrast Algorithm passes the white text and fails the black text. 

Sam Waller explains this more fully in his article, Does the contrast ratio actually predict the legibility of website text? 

As a result of this work, an early working draft of WCAG 3 proposes using the new method for calculating contrast. 

This is important information for choosing brand logos and text so it isn’t just something web designers should know. Many website designs are guided by brand colours so choose carefully. This information is also important for product labelling especially for online shopping. 

 

Tech and older adults

The stereotype of grandchildren helping grandparents with their phone or remote controller is often perpetuated by older people themselves. Skill in using phones and websites depends on the reasons for using them. Younger people can have different interests from older adults meaning they use different apps and software. This doesn’t mean tech and older adults don’t belong together.

“Grandma cannot use her phone because it was not designed for her. Ubiquitous mass-market tools should not present obvious and avoidable hurdles to everyday users.” Robert Schumacher.

A smartphone with graphics depicting a design problem being fixed.

The stereotype is not based in evidence, and it might not be the tech that’s the barrier – poor vision or hand dexterity can also cause problems with using phones and computers.

It’s about mental models

According to Schumacher, the main difference between younger and older generations is when their mental models of how things work was formed. He explains how these mental models can widen any gap in understanding in how things work:

“Every generation has its own mental models of the world. In Tom Standage’s (1998) fascinating book The Victorian Internet, he provides several examples of how emerging technology scrambled everyone’s way of thinking. Take the introduction of the telegraph. In one example, a mother brought a bowl of sauerkraut to the telegraph office, insisting that they send it (across the wire) to her son on the battlefront. This mother, with good intentions, mixed up the atoms and the bits, which perhaps is understandable if you do not have a suitable mental model.”

A telegraph pole with rows of wires attached.

Using this story we can see that many older adults will have mental models and beliefs of how things work. But they don’t align with the design models and systems. People who began working with computers and DOS systems in the 1980s have grown up with the evolution of technology. Their mental model has adjusted with each new development. But not everyone worked in an office with a computer.

Barriers for everyone

CAPTCHA requires good visual acuity, and multi-factor authentication (MFA) requires people to juggle more than one device and accounts. And access to healthcare is moving online with MFA requirements.

Electronic ticketing now requires a mobile app. The assumption is that the process is intuitive despite the many steps in the process. Downloading the app, getting the tickets by email, transferring to the app, retrieving and scanning the app at the gate. And access to a streaming service often requires a QR code – something else to learn.

Schumacher’s article discusses more on this topic and how to remedy the situation. More testing with older adults is essential. Their mental models aren’t the same as the developer’s – what’s intuitive for a seasoned tech user is not intuitive for everyone. However, it doesn’t mean older people are averse to using technology or too “stuck in their ways” to learn.

The title of the article is, Gran Got Tech: Inclusivity and Older Adults, published in the Journal of User Experience.

The Metaverse: inclusive and accessible?

The concept of the Metaverse is a continuous online 3D universe that combines multiple virtual spaces. It’s the next step on from the internet. It means users can work, meet, game and socialize in these 3D spaces. We are not quite there yet, but some platforms have metaverse-like elements. Video games and Virtual Reality are two examples. So, we need to keep a careful watch on developments to make sure the Metaverse is inclusive and accessible.

Another term for the Metaverse is digital immersive environments. It sounds science fiction, but this fiction is becoming a fact. Someone is designing these environments, but are they considering equity, diversity and inclusion? Zallio and Clarkson decided to tackle this issue and did some research on where the industry is heading.

Several companies are involved in the development of digital immersive environments. So before they get too far in development it’s important to define some principles for the design of a good Metaverse. Zallio and Clarkson came up with ten principles that embrace inclusion, diversity, equity, accessibility and safety.

10 Principles for designing a good Metaverse

  1. is open and accessible
  2. is honest and understandable
  3. is safe and secure
  4. is driven by social equity and inclusion
  5. is sustainable
  6. values privacy, ethics and integrity
  7. guarantees data protection and ownership
  8. empowers diversity through self-expression
  9. innovates responsibly
  10. complements the physical world
A young woman is wearing a pair of virtual reality goggles and looking towards the sky.

Their paper is insightful and provides some important areas for discussion and research. We need developers to consider the essentials of inclusion, diversity and accessibility. Zallio and Clarkson advise that designers can learn from the past to reduce pitfalls in the future. As the Sustainable Development Goals say, “leave no-one behind”.

Diagram showing the 10 principles for designing a good Metaverse.

The title of the paper is Designing the Metaverse: A study on Inclusion, Diversity, Equity, Accessibility and Safety for digital immersive environments.

Synopsis of the paper

1. The Metaverse appears as the next big opportunity in the consumer electronics scenario.

2. Several companies are involved with its development.

3. It is extremely important to define principles and practices to design a good Metaverse.

4. Qualitative research pointed out to challenges and opportunities to design a safe, inclusive, accessible Metaverse that guarantees equity and diversity.

5. Ten principles for designing a good Metaverse embrace inclusion, diversity, equity, accessibility and safety.

From the abstract

The Metaverse is shaping a new way for people interact and socialise. By 2026 a quarter of the population will spend at least an hour a day in the Metaverse. This requires consideration of challenges and opportunities that will influence the design of the Metaverse.

A study was carried out with industry experts to explore the social impact of the Metaverse through the lens of Inclusion, Diversity, Equity, Accessibility and Safety (IDEAS). The goal was to identify directions business has to undertake.

The results indicated the nature of future research questions and analysis to define a first manifesto for Inclusion, Diversity, Equity, Accessibility and Safety in the Metaverse.

This manifesto is a starting point to develop a narrative, brainstorm questions and eventually provide answers for designing a Metaverse as a place for people that does not substitute the physical world but complements it.

City Access Map

CITY ACCESS MAP is a web application that shows how cities across the world are doing in terms of accessibility. It’s open source and covers any urban area with more than 100,000 residents. It computes walking accessibility down to the block level. It’s a tool for almost anyone who has an interest in cities that have access to services within a 15 minute walk.

A city view of the city access map. Short walking distances are shown in yellow and orange and long distances in purple.
A close up view of a city on the CITY ACCESS MAP

The CITYACCESSMAP is interactive and shows the differences in cities across the globe. For example, it shows that Bogota, Colombia is one of the most accessible cities. Orlando USA on the other hand is one of the least accessible. France is generally accessible with many cities reaching high levels of accessibility.

Australia is represented by Brisbane, Sydney, Melbourne and Adelaide. Searching by city brings a close up view of the suburbs. In Sydney, it shows good accessibility in and around the CBD. However, as expected as you move to outer suburbs accessibility reduces considerably.

It should be noted that the term “accessibility” mainly refers to access to services rather than an accessible built environment. The tool is worth investigating as a planner and administrator in any field. If nothing else, it is interesting to see how countries compare.

For IT people wanting to know the detail of the map design there is more information in a separate section. You can download processed data for any city in the application.

The scientific research is also available and you can contribute to the project by contacting Leonardo Nicoletti.

Co-designing for the digital world

If you want to create something really useful for intended users, asking them to participate in the design process is a good way to go. And that means the design of anything – guides and toolkits included. From Ireland comes a toolkit for co-designing for the digital world where participants are people with intellectual disability.

A collage of faces from around the world and pictures of smartphones. co-design for the digital world.

A series of iterative workshops involving people with intellectual disability formed the foundation of an accessible design toolkit.

Co-design is important in the area of digital design and computer interaction. However, projects that claim to be user-centred often become technology led rather than user driven. A university in Ireland teamed up with a community service that supports people with intellectual disability. With the guidance of researchers, computer science students and community service users engaged in a co-creation process from which a toolkit was developed.

The collaboration highlighted the need for accessible design resources and training materials for both students and users. While there are many resources on co-design processes, and design thinking, few address people with intellectual disability. Those that do exist are not accessible or suitable for people with intellectual disability.

The toolkit is about co-designing with people with intellectual disability. Two overarching principles emerged. Use simple English with short sentences and simpler grammatical structures. Provide visual aids – icons and images – to overcome literacy limitations.

The paper explains the co-creation process in detail. The authors call the users co-designers, which is confusing because co-design usually means all participants including designers.

Understanding the complex process of consent to participate had to be resolved for the users. Another difficulty was encouraging participants speak up about design flaws or issues.

The title of the paper is, An Inclusive Co-Design Toolkit for the Creation of Accessible
Digital Tools
.

From the abstract

Existing toolkits and resources to support co-design are not always accessible to designers and co-designers with disabilities. We present a study of a co-design process, where computer science students worked with service users with intellectual disabilities. The aim was to create digital applications together.

A series of co-design focus group sessions were conducted with service users previously involved in a co-design collaboration. The information from these sessions was used to devise an accessible design toolkit. This toolkit is intended to generate a sustainable resource to be reused in the student programme at TU Dublin but also in the wider community of inclusive design.

Editor’s comment: Most guides and toolkits are based on well-researched evidence, but the value of the evidence is sometimes lost in technicalities or too many words. A co-design process will seek out the key information that guideline users want and need.

Human centred design is for humans

A man in a blue shirt is wearing virtual reality goggles and is holding a controller in his hand. This is part of exploring Human centred design Almost all designing is done for human use. Even designs for animals and plants link back to human use or human benefit in one way or another. So based on that premise, all design is human centred design. Well, that is one way to define it. 

In the world of technology the key question for human centred design approach is, what are people doing? Not, what can the technology do? Dr Peter Schumacher reminds us in a video below that humans were creating things for themselves in the Stone Age. However, digital technology isn’t crafted by hand like a stone axe where the maker is often the user. With artificial intelligence, technology can do amazing things. But are they the things that humans want?

Based on the Stone Age definition, Schumacher says human centred design is something we’ve been doing forever. From the moment we could, we’ve been making things we could use. We were creating technology for a purpose, for something we wanted to do. But technology, and the way we interact with it, is getting more complicated.

We are at a point where technology and the environment we live in is creating problems. Schumacher says that finding out what’s going on with humans and their relationship to technology is the key focus. It’s putting human back into the centre of the technology rather than saying what the technology can do.

So, you start with the question, “what are people doing?” This is followed by “what does the technology need to do in that context?” Then there is the question of what’s the right technology?

Human Centred Design Group

The Human Centred Design Lab at University of South Australia is focused on developing methods for the design of objects, environments, and systems for human use. They take a collaborative and trans-disciplinary approach to create products for human use. The Human Centred Design Group is a research centre for interactive and virtual environments. The video below explains a bit more and they invite other collaborators.

Also see their Design Clinic brings together researchers, industry and end users for co-design in healthcare. The Design Clinic can capture ideas and designs for new products, systems and services vital to the health and wellbeing sectors. 

 

AI for captioning

A speaker stands at a lectern and captioning sceen is behind his right shoulder
Dedicated captioning screen close to the speaker.

Artificial Intelligence (AI) can take captioning to another level claims Microsoft. AI for automatic speech recognition removes the need for a human captioner for lectures in universities and elsewhere. The Microsoft AI blog article and video below focuses on deaf students, but more people are taking to captioning on their phones for convenience.

Captioning helps all students by adding another layer of communication and this point is made in the article. The captioning is turned into transcripts and students have a reference to read after the lecture. They can also have the lecture automatically translated into several languages.

This is a detailed article and covers automatic speech recognition, translations, and a growing demand for accessibility. This technology is not expected to take over from Auslan or ASL as they are languages in their own right. However, this is another example of how technology is helping humans by taking over from humans and bringing the advantages to more people.  

Note on the image at the top: The image shows Dr Ger Craddock at the inaugural Australian Universal Design Conference in 2014. A captioner sat in the room to caption real time. Speaker names and place names were given to the captioner beforehand to prevent errors.

 

How web design decisions are made

Graphic indicating web design.When choosing a web developer to update your site, don’t assume they know all about accessibility. The guidelines for web accessibility are often treated like tacked on ramps to a building. That is, something you think of after you’ve done the design. To ensure accessibility of your site, it pays to know how web design decisions are made. And you don’t need to be a tech person.

A paper from the United States spells out the development process to show how accessibility gets missed. The authors report that one study found that more than 70% of websites contain multiple  barriers to accessibility. Another study found that almost all homepages didn’t meet the basic web standards for accessibility. 

The Web Content Accessibility Guidelines (WCAG) are a general guide for developers. But they are not the total answer because they are more about code compliance than accessibility. Hence, design briefs need to include usability testing early in the concept stage. 

The process often begins with brand, customers, and the message to be communicated. This stage rarely involves accessibility concerns. Designers make assumptions about users – usually people like themselves – for the next steps. Designs are reviewed by art directors and brand creators. Colours and font choices are considered at this stage but without reference to accessibility. 

If the design team lacks diversity this is where design justice becomes design privilege. Before any coding takes place, images, animations and graphics are created to show what the site will look like. Users are not involved in the testing at this stage. The key issue with web accessibility tools is that they look at code, not these mock-ups. 

Priority is brand message

The prototype stage would be a good point in the design process to begin user testing. It is as this stage colour, font, layout and other critical access features can be addressed. However, communicating brand message takes priority. Responding to the needs of less privileged and less able users is left for coding checks rather than usability checks.

The authors conclude that considering accessibility early in the process can bring greater usability for all. However, industry development processes often result in accessibility being an afterthought. Standards are not enough to meet the needs of all users. Consequently, industry’s internal processes need to change. 

The title of the paper is, Addressing Accessibilty as Advocacy. The authors use the term “special needs”. The article is easy to read and not tech-based. It is more about advocating for social justice in the digital world.

Choosing an IT designer

computer screenThe Centre for Excellence in Universal Design in Ireland has a comprehensive IT Procurement Toolkit. It takes potential purchasers of IT systems through the process of procurement, including assessing potential suppliers, and overseeing the successful implementation of accessibility features. It also shows how to manage the accessibility of the system once the set-up phase is complete. This means ensuring that documents staff produce for the website also meet the accessibility criteria. Each section of the Toolkit is provided separately. It includes: 

    • Writing Request for Tender
    • Assessing Candidates and Tenders
    • Development and Implementation
    • Evaluating Deliverables
    • Maintaining Accessibility.

Accessibility Toolbar